Tag Archives: black flag

punks fuckin’ jam

1 Sep

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1. Grand Buffet and Mrs. Paintbrush (two different acts involving Jackson O’Connell). I had heard some Grand Buffet stuff before and still am not fully converted into a believer, but hearing Mrs. Paintbrush is a good way to get back into them. when it comes to Jackson’s independent work, the fluidity in terms of sounds, but also in terms of lyrics, captured my interest. I think his partner in crime, Lord Grunge, has some dynamic beats, but I think the way he executes his verses comes across more as separated declarations, and is a little incongruous with his beats.

And to be completely honest, when I saw Jackson dance to DJs Huck Finn’s & Glenn[electric]’s sets this past friday at the Brillobox…man, this guy has a method to wild performance and I think it will go very well with his slick raps at the Grand Buffet show this upcoming Saturday. Grand Buffet will be opening for Don Caballero at Mr. Small’s (Sept. 6th).

Centipede Eest at the Pittsburgh Center for the Arts, 8/23
© 2008 Mahsa Borhani

Let’s just say that this show will be very interesting in terms of attendees. Don Caballero, who are from Pittsburgh but now based in Chicago, will draw a bit of an older crowd. Centipede Eest and Don Cab obviously have more in common than Grand Buffet–however–judging from what I saw at the PCA show a week ago, Centipede is more influenced by an ambient noise aesthetic and now that Don Cab has released Punkgasm, I am assuming there will be an even greater diversity between these two acts.

Don Caballero
Centipede Eest
Grand Buffet
@ Mr. Small’s Theatre
9-6-08, 8 PM

2. Black Flag minus Henry Rollins. As much as I enjoy this interview that Rollins did:

it’s much more admirable to see Chuck Dukowski talk about the band and defend them from the ruffian stereotype in this interview at 3:43

Later on in his life, when Chuck talks about how he saw government armed forces wait insidiously as kids gathered to see the show, and then unleashed all of society’s hatred at a moment when they thought they’d eliminate all the voices of this movement–I guess it never really hit me till now how incredulous that can be. If police can freak out about music, then how bad is it going to be when it’s about something that directly addresses the policies and regimes of the government without art as a method for dissemination? Is it worse to see the people around you disappear mysteriously, or is it worse to see them die or be injured in a highly publicized event that society just stares blankly at?

I don’t have any answers to these questions. Yeah the punk rock movement is over. But from an Iranian-American point of view, it is more relevant now than it could ever be. At the time of that interview, Chuck Dukowski was a voice for the kids who couldn’t really speak for themselves, who were letting out their “desperation” in the most primal way they could–a physical oscillation to the constant force of music.

In two months everyone from age 18 and on can speak for our friends in other countries who support democracy and allied federations. I hope everyone is following the ever-frenzied presidential election campaign as close as possible to develop a viewpoint that will help them choose the right candidate.